Sunday, October 30, 2022, 5pm to 7pm at the new Baobab, 2243 Mission St., between 18th & 19th


Genny Lim read poems about Water, Wildfires and War and sang Jim Pepper’s “Witchi-Tai-To” and “Besame Mucho,” accompanied by the Barry Finnerty Trio, featuring Finnerty, Akira Tana on drums, with bassist Peter Borshay, on the Festival Main Stage at Martin Luther King, Jr. Civic Center Park in Berkeley, California.
![]() Barry Finnerty, Genny Lim and Akira Tana at the 2022 Watershed Poetry Festival |

Watershed Environmental Poetry Festival is a collaboration of Robert Hass, Poetry Flash, Ecology Center/Berkeley Farmers’ Market, and Ecocity Builders. The Watershed Festival emerged from Robert Hass’s national Watershed initiative during his tenure as U.S. Poet Laureate, 1995-97, which explored connections between environmental awareness and the American literary imagination. The first two Watersheds were held at the Bandshell at Golden Gate Park, San Francisco.
Cornelius Art Center: Patio, 1928 St. Marys Road, Moraga, CA 94575
On Critical Mass, Lewis Jordan (alto, baritone and poetry), Sandi Poindexter (violin), Bruce Ackley (soprano and tenor), Ollen Erich Hunt (bass), and Jimmy Biala (drums/percussion) use improvisation and poetry to access a space of sincerity, engagement, and free expression. They are joined by Genny Lim on the title track.

With a unique interdisciplinary approach to poetry and music, this Bay Area musical ensemble brings an open spirit of improvisation to their original compositions. Performances highlight solo instrumental voices (saxophone, violin, bass, and percussion) as well as collective interplay. This year, the group released its fourth CD, Critical Mass (Innova 073).
653 Chenery Street, San Francisco, CA 94131

With B’kongofonic blood at the saxophonic root, well below surface engraving, resonating within its alloy, sounds are gathering to invoke a heroic people: kongo as “gathering”, a Central African people’s homeland; fon as “sound”, a West African people’s language; B’ referring to all “peoples” along the resistance continuum. Hear ye, the animating force of a strange horn sanctified!
Genny Lim – poetry, invocation
Hafez Modirzadeh – kongofon, assorted winds
Francis Wong – kongofon, assorted winds
John-Carlos Perea – electric bass, cedar flute, vocals
Keshav Batish – drums, tabla
Genny Lim and the ensemble perform Modirzadeh’s epic poem, Ode B’kongofon.
$25 cash cover charge; byob and a mask (optional if vaccinated)
Curated by SFJAZZ Poet Laureate Genny Lim, the 2018 Wordology Festival featured “the greatest poets of the Bay Area and beyond, centered on the concept of ‘wordology.’”
![]() Genny Lim and Francis Wong at SFJazz Poetry Festival 2018 |
“I want poets to… let go of their concept of how the poem is supposed to be, to surrender to the spirit of improvisation, so the poem can breathe and become a whole new poem.”
GENNY LIM

This year’s festival is bookended by two illustrious poets: on opening night, former California poet laureate Al Young, whom Lim calls “the Duke Ellington of letters,” and who is the much-honored author of 22 books of various genres; and, playing piano at the closing matinee, Ishmael Reed (“just a lion—a political satirist, a playwright, an essayist,” says Lim).
In between is a multicultural and multigenerational lineup of poets, rappers, spoken-word artists and jazz musicians, many among them part of San Francisco’s underground arts scene, many of them social activists as well: Arlene Biala with musician Brittany Biala; Royal Kent with Copus Multimedia (his duo with composer/pianist Wendy Loomis); also Paul Flores, Tongo Eisen-Martin, QR Hand, novelist and hip-hop artist Aya De Leon, Tony Robles, rapper Equipto, the musical ensemble the Broun Fellinis, “drum strategist” Marshall Trammel and saxophonist Francis Wong. The festival includes a tribute to Charles Mingus and Native American sax player Jim Pepper.
Poetry and Jazz Make a Harmonic Hybrid by JEAN SCHIFFMAN, sfarts.org
Genny reads her poems, “Revoked,” “Resurrection from Egypt to Wall Street,” “Exile,” “37 Practices of a Bodhisattva,” “This is My Country,” “Life is a Riff” and “The People’s Prayer” at the DNA Lounge, 375 Eleventh Street, San Francisco.
The book, Conversations at the Wartime Cafe: a Decade of War 2001-2011 is an anthology of poetry, fiction, memoir, journalism, and essays.
Conversations at the Wartime Cafe @ DNA Lounge
Thursday, November 3
6:30pm – midnight.
all ages.
$5.
Genny recited her poem, “Bohemian Universe,” at the dedication ceremony for Brian Goggin’s and Dorka Keehn’s site specific sculpture, “Language of the Birds,” on the corner of Columbus and Broadway, on Sunday November 23, 2009.



Published in The Semaphore, Winter 2009, a publication of the Telegraph Hill Dwellers,


The Poetry Center presents poets Q. R. Hand Jr., Genny Lim, and Juan Felipe Herrera, presenting their poetry at the South of Market Cultural Center (subsequently SOMArts), San Francisco. Hand and Lim each read solo from their work, and Herrera is joined in his performance by Troca, a Bay Area grupo featuring a mix of percussion, bass, and guitar. The poets, who each offer extended sets, are introduced by Poetry Center director Jim Hartz, who thanks poet Wilfredo Castaño of the South of Market Cultural Center, along with the San Francisco Arts Commission, for the community-centered collaboration with The Poetry Center.
Link to FULL PROGRAM VIDEO at DIVA San Francisco State University Poetry Center Digital Archives
Genny Lim reads two poems: “She sits in a slip, mirror in hand….” and “A Woman’s Room” (noted as “a poem for Virginia Woolf”), on February 24, 1983, at the South of Market Cultural Center (now SOMArts), on a program organized by The Poetry Center, San Francisco State University. Featured besides Lim on this historic full-program video are extended performances by fellow San Francisco poets Q. R. Hand Jr. and Juan Felipe Herrera. The video-still depicts Lim drawing the Chinese character for “woman.”


